...[...]...
“Mr. Kharatian is an elegant dancer who can erupt with unexpected power in his leaps.”
Anna Kisselgoff, New York Times
“Hagop Kharatian brought good attack and ability to the leading male roles in the Stravinsky works...” Katherine Sorely Walker, The Dancing Times, London
“The surprise was how easily Hagop Kharatian, a Russian-trained dancer, adjusted to the mobility of Balanchine...” Anna Kisselgoff , New York Times
“Admirable!” Alan M. Kriegsman, Washington Post
“The dancing was exquisite, among those to be praised are Hagop Kharatian...” Gia Kourlis, New York Newsday
“Hagop Kharatian is tantalizingly remote, even is his challenging tours en l’air." Doris Hering, Dance Magazine
“...the pas de deux, with Hagop Kharatian, was electric, Kharatian, a slight, intense dancer, also put the sizzle in Tzigane...” Alexandra Tomalonis, Dance Magazine
“A consistently fine performer, with a long line and impressive control.” Sarah Kaufman, Washington Post
“A particular pleasure was the dancing of Hagop Kharatian, tall, lean, sharp-featured and witty.” Jean Battey Lewis, Washington Times
“Kharatian made a clean cut impression as the male lead.” Clive Barnes, New York Post
“As often happens you never know who the true star of the program is until it’s performed. In this case it was Hagop Kharatian, a splendid dancer who had already enchanted the audience in “Le Spectre de la Rose”... “he seems to come from another world”... “tall, sleek, agile as an acrobat, powerful as lightning yet so light you can hardly be certain his feet touch the ground.” Bethe Dufresne, The Day
“Kharatian, an intelligent, athletic principal.” Tom Strini , Milwaukee Journal Sentinel
“Kharatian made triumphant leaps as the spirit of the rose... ideal dream lover, he moved with sinuous, sensuous grace that evoked images of Nijinski....”
Tony Angarano, Hartford Courant
“Kharatian is a manly, high-flying, athletic sort.” Tom Strini, Milwaukee Journal Sentinel
“Kharatian has generous amplitude, a great jump and he’s wonderfully musical.” Tom Strini , Milwaukee Journal Sentinel
Anna Kisselgoff, New York Times
“Hagop Kharatian brought good attack and ability to the leading male roles in the Stravinsky works...” Katherine Sorely Walker, The Dancing Times, London
“The surprise was how easily Hagop Kharatian, a Russian-trained dancer, adjusted to the mobility of Balanchine...” Anna Kisselgoff , New York Times
“Admirable!” Alan M. Kriegsman, Washington Post
“The dancing was exquisite, among those to be praised are Hagop Kharatian...” Gia Kourlis, New York Newsday
“Hagop Kharatian is tantalizingly remote, even is his challenging tours en l’air." Doris Hering, Dance Magazine
“...the pas de deux, with Hagop Kharatian, was electric, Kharatian, a slight, intense dancer, also put the sizzle in Tzigane...” Alexandra Tomalonis, Dance Magazine
“A consistently fine performer, with a long line and impressive control.” Sarah Kaufman, Washington Post
“A particular pleasure was the dancing of Hagop Kharatian, tall, lean, sharp-featured and witty.” Jean Battey Lewis, Washington Times
“Kharatian made a clean cut impression as the male lead.” Clive Barnes, New York Post
“As often happens you never know who the true star of the program is until it’s performed. In this case it was Hagop Kharatian, a splendid dancer who had already enchanted the audience in “Le Spectre de la Rose”... “he seems to come from another world”... “tall, sleek, agile as an acrobat, powerful as lightning yet so light you can hardly be certain his feet touch the ground.” Bethe Dufresne, The Day
“Kharatian, an intelligent, athletic principal.” Tom Strini , Milwaukee Journal Sentinel
“Kharatian made triumphant leaps as the spirit of the rose... ideal dream lover, he moved with sinuous, sensuous grace that evoked images of Nijinski....”
Tony Angarano, Hartford Courant
“Kharatian is a manly, high-flying, athletic sort.” Tom Strini, Milwaukee Journal Sentinel
“Kharatian has generous amplitude, a great jump and he’s wonderfully musical.” Tom Strini , Milwaukee Journal Sentinel